ArchivesSpace at the University of Iowa

This book by Vittori was a collaboration with his son, Giovanni. -- Source of annotation: Marvin or Ruth Sackner.

The pages are composed of small portions cut from postcards along with their stamps. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent a book, "Intimate Strangers" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The collages and the pages consist of words, phrases, and sentences clipped from newspapers and periodicals laid out in a linear arrangement on the page. -- Source of annotation: Marvin or Ruth Sackner.

The center of this book has been bored through with a drill. The hole is bored from cover to cover. The hole is located just below the portrait of Mao's chin printed at the frontpiece. -- Source of annotation: Marvin or Ruth Sackner.

Kriwet documents events around the time of the Apollo space shot to the moon in 1969 as well as the space shot itself as an artist scrapbook. He uses newspaper and periodical clippings and also altered them in the form of decollage as integral to the text. -- Source of annotation: Marvin or Ruth Sackner.

The material for each print in the book or project is stored in individual folders or envelopes. Material is also included that was not utilized in the final version of the book. For example, in the print, On the Corner..., the typed poem was considered but rejected, e.g., die neue SS: Lightening bilts shaved in - black on black - in the Razored and Jerrocombed hair - in the Razored and Jerrocombed hair. The title page content and layout changed considerably over the five years it took to produce the book. A section contains poems that were not used in the final version of this book. The Sackners provided financial support for this project. -- Source of annotation: Marvin or Ruth Sackner.

Lipski arranged braille pages into a fan-like pattern. He placed melted paraffin down the center of the pages and attached this work to a base of covers of a Standard and Poor's financial analysis book. -- Source of annotation: Marvin or Ruth Sackner.

Pages have been cut from newspaper without any alterations. -- Source of annotation: Marvin or Ruth Sackner.

Gallo exactly reproduced the title page, table of contents, and page numbers of an original book by Paul Eipper. He then removed all else except the captions that once accompanied the photographs of wild animals. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts a wood flatwear box with an open drawer that is filled with printed words. The inside lid contains adverbs, the top drawer nouns and the bottom drawer verbs. Karen Shaw's name is rubberstamped on the verso of the card. -- Source of annotation: Marvin or Ruth Sackner.

These are sample reproductions of the bookworks of Brian Dettman . -- Source of annotation: Marvin or Ruth Sackner.

The documentation for this project is mentioned in arnyekkotok electrographic art Vol.4 No.2; the latter issue is also held by the Sackner Archive. The recipiente pf this book included among others., Ruth & Marvin Sackner, Bart Boumans, David Zac k, and Emmett Walsh, -- Source of annotation: Marvin or Ruth Sackner.

Sara Sackner made this unique book based on the Archive collection of Russian Avant Garde books and concrete poetry. The hand woven pages are stitched onto painted Russian words on a golden background. The final page, dedicated to her parents, contains an English translation of a Russian poem about a concrete factory. -- Source of annotation: Marvin or Ruth Sackner.

This book contains texts, images, collages, graphics and photographs by the two authors. -- Source of annotation: Marvin or Ruth Sackner.

This second edition of the book has been digitized and the images are now colored in contrast to the b&w photocopies in the first edition that is also held by the Sackner Archive, -- Source of annotation: Marvin or Ruth Sackner.